Aspetos Coreográficos na Improvisação
Workshop with Francisco Camacho / +16 years old
An approach to contemporary dance is proposed, through creative strategies explored individually and collectively, in an atmosphere of openness and appreciation of different contributions. The aim of the workshop is to stimulate and deepen the practice of improvisation, taking it as an engine of choreographic possibilities. We want to exercise the operation on the emerging movement, identifying and testing different possibilities to direct, develop and reconfigure it. The work will be developed in accordance with the particular characteristics of each participant, exploring their expressive physical qualities and presence. But interaction with the group will also be important, exploring the increased potential of creativity developed in dialogue and collaboration.
Francisco Camacho
He directs solo and group shows and projects for non-conventional spaces, presenting works of reference in Europe, America, Africa and Asia. Received the Bordalo/Casa da Imprensa awards in the area of Dance (1995 and 1997) and ACARTE/Maria Madalena de Azeredo Perdigão from the Calouste Gulbenkian Foundation (1994/95) - Special Mention in 1992/93. He danced with Paula Massano, a pioneer of contemporary dance and was a performer for Creach/Koester, Alain Platel, Carlota Lagido, Lúcia Sigalho, Filipa Francisco, Miguel Moreira and Tonan Quito. Highlights regular collaboration with Meg Stuart. He studied at the CNB and Ballet Gulbenkian courses, in which he did his internship. In New York, he attended Merce Cunningham Dance Studio, Lee Strasberg Theater Institute and Movement Research. He had training in voice, screenwriting and creative writing. Teaches regularly.
Application form:
https://bit.ly/balleteatro-workshop-improv-mar22
Francisco Camacho
He directs solo and group shows and projects for non-conventional spaces, presenting works of reference in Europe, America, Africa and Asia. Received the Bordalo/Casa da Imprensa awards in the area of Dance (1995 and 1997) and ACARTE/Maria Madalena de Azeredo Perdigão from the Calouste Gulbenkian Foundation (1994/95) - Special Mention in 1992/93. He danced with Paula Massano, a pioneer of contemporary dance and was a performer for Creach/Koester, Alain Platel, Carlota Lagido, Lúcia Sigalho, Filipa Francisco, Miguel Moreira and Tonan Quito. Highlights regular collaboration with Meg Stuart. He studied at the CNB and Ballet Gulbenkian courses, in which he did his internship. In New York, he attended Merce Cunningham Dance Studio, Lee Strasberg Theater Institute and Movement Research. He had training in voice, screenwriting and creative writing. Teaches regularly.
Application form:
https://bit.ly/balleteatro-workshop-improv-mar22
December 2024
