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Thought flows in one's native language. Sentences to express this thought are as easily constructed, language and words emerging, flowing, as if they were thought itself. But the relationship between language and thought does not necessarily work like this in the body of a foreigner. There is a productive pause between words as the body of a foreigner slowly grasps at what it wants to say in the foreign language. But in order to listen to, and to hear, what the body has to say, we need to clean the body. Then, we enter the body to listen to the body. The body saves the paths of the thoughts and later on, we retrieve the words from the body. And that is why I found myself wandering around my Body, once upon a time.
Residência Artística Online :: LINK
A body is mapped and defined by a specific set of points, which adopt a specific set of relationships between them. A movement is a transition between any two of these relationships between points. A total choreography is the set of all sequences of all transitions between all relationships between the body’s points. Kaput! is the prototype that is danced in 324 movements. Traces of dance can be found between systematic representations of bodies and movements, between more or less geometric graphics and apparently mathematical expressions. Of bodies, only their spatial values remain: the archive of all gestures is built from their extinction.
Residência Artística Online :: LINK