Extemporânea
Extemporânea is a project organized by Balleteatro, with collaborative curatorship by Flávio Rodrigues, Isabel Barros, Jorge Gonçalves, and Né Barros. Held annually, it develops a programme of performances and/or performative installations, inviting artists to articulate their practices in relation to the social, economic, and political context inherent to each edition’s location. Extemporânea seeks to expand notions of choreography and performativity across different social and geographical contexts within the city of Porto. Through a critical and discursive approach, it invites artists to experiment with presentation formats and modes of audience reception, questioning the spatio-temporal experience and the spectrum of possibilities between audience participation and contemplation.
The fourth edition of Extemporânea takes place on 11 July 2026 at the Faculdade de Desporto da Universidade do Porto. The large scale of its infrastructures—pavilions, tracks, fields, and corridors designed to contain and intensify effort—shapes an architecture of both excess and restraint, where the body is organized through regimes of repetition, measurement, and performance. In this place, the scientific codification of gesture and the quantification of performance coexist with a technical memory made up of marks, machines, and rhythms spanning decades. Extemporânea inhabits this space differently, allowing its logics to come into contact with other durations, other forms of attention, and other ways of inhabiting a body. Between training and ritual, between discipline and failure, between norm and its interruption, a space opens up where artists and audiences are invited to rehearse modes of presence that this architecture did not anticipate, but which, precisely because of its scale and strangeness, it makes possible.
The fourth edition of Extemporânea takes place on 11 July 2026 at the Faculdade de Desporto da Universidade do Porto. The large scale of its infrastructures—pavilions, tracks, fields, and corridors designed to contain and intensify effort—shapes an architecture of both excess and restraint, where the body is organized through regimes of repetition, measurement, and performance. In this place, the scientific codification of gesture and the quantification of performance coexist with a technical memory made up of marks, machines, and rhythms spanning decades. Extemporânea inhabits this space differently, allowing its logics to come into contact with other durations, other forms of attention, and other ways of inhabiting a body. Between training and ritual, between discipline and failure, between norm and its interruption, a space opens up where artists and audiences are invited to rehearse modes of presence that this architecture did not anticipate, but which, precisely because of its scale and strangeness, it makes possible.
SEE THE FULL PROGRAM :: LINK
Faculdade de Desporto da Universidade do Porto | july 11 | 5pm
Banho Maria
Carminda Soares e Margarida Montenÿ
Place: Changing room
Vai e Volta
Gabriel Cruz e Tiago Pinho
Place: Pegadas Rosa Mota
META
Ivo Saraiva e Silva e Ricardo Teixeira
Place: Polivalente
Faculdade de Desporto da Universidade do Porto | july 11 | 5pm
Banho Maria
Carminda Soares e Margarida Montenÿ
Place: Changing room
Vai e Volta
Gabriel Cruz e Tiago Pinho
Place: Pegadas Rosa Mota
META
Ivo Saraiva e Silva e Ricardo Teixeira
Place: Polivalente
Curators: Isabel Barros, Né Barros, Jorge Gonçalves, Flávio Rodrigues
Executive Production: Celine Marie and Quélia Frias
Communications: Carolina Pereira and Nicole Gonçalves
Graphic Design: Marta Filipe
Sound Technician: João Nunes
Video Documentation: Raúl Sousa
Production: Balleteatro
Support: Faculdade de Desporto da Universidade do Porto
Executive Production: Celine Marie and Quélia Frias
Communications: Carolina Pereira and Nicole Gonçalves
Graphic Design: Marta Filipe
Sound Technician: João Nunes
Video Documentation: Raúl Sousa
Production: Balleteatro
Support: Faculdade de Desporto da Universidade do Porto