Let’s imagine a cubic room, a cube, a room in the shape of a cube, without doors, without windows, without a single ray of light. You, stopped in the centre, in the centre of the room, the cube, the room in the shape of a cube; eyes closed and lifeless, completely still; you are dead.
The exploration of non places where the public and the performers build a collective memory from fragments of individual stories. This work was the result of an artistic residence with a workshop of site-specific with the students of the third year dance of balleteatro escola profissional.
The frailty, the interdependence, the confusion of aggravated bodies are in the origin of this work. Choreographical project with the second year students of dance of balleteatro escola professional
Choreography about the “human combination”: the encounter and the pleasure of dancing together, partnering it with sensuality and brutality.
Improvisation workshop with the second year students of dance of balleteatro escola professional
Choreographical Project based on the film by Pedro Almodovar “The flower of my secret”.
It is a fresh work full of spontaneity. Dance overflows with energy with leaps, falls, bodies against bodies, slowness and precision…
From the text of Juan Mayorga, HAMELIN is a play without lighting, without sets, without costumes. A play in which lighting, sets, costumes are put in place by the audience” Juan Mayorga Project of interpretation with the second year students of theatre of balleteatro escola professional.
Staged reading from the texts of Luísa Costa Gomes “Nunca nada de Ninguém” and Miguel Esteves Cardoso “Cemitério de Mulheres” [Graveyard of Women] Project of interpretation with the third year students of theatre of balleteatro escola professional.
Project of interpretation with the second year students of theatre of balleteatro escola professional.
Choreographical Project with the second year students of dance of balleteatro escola professional.
Workshop “The discovery of your clown”, With the theatre students of balleteatro escola professional.
Residência artística realizada no Porto, no âmbito do festival Les Reperages/Danse à Lille, com a participação de: Alexandre Soares, António M. Cabrita, Carlos Silva, Chantti Wadge, Elisabete Magalhães Gustavo Gomes, Inari Salmivaara, Isabel Barros, Jonathan Saldanha, Jorge Gonçalves, Loi:c Salliot, Maria-Alice Poppe, Né Barros, Osman Khelilli, Paola Moreno, Pedro Rosa, Perrine Valli, Shirley Resende, Sónia Cunha e Victor Hugo Pontes.
balleteatro hosts residencies, for which it opens applications, occasionally, at periods to be defined. There are currently no open calls in progress. // At the time of registration, residencies by competition aim to create an opportunity for artists to develop specific projects within the performing arts in conditions of creative immersion. Applications must refer to a specific work project and must foresee at least one action that can be opened to the city. This action should not be confused with a final presentation resulting from the laboratory itself. The projects in the competition must foresee working with local people to be selected according to criteria defined by the author(s) of the project. The project file must contain: project presentation; title; artistic area; synopsis; participants' biographies; schedule; other existing supports and in what format; other elements considered relevant. This material should be sent to firstname.lastname@example.org. The duration of the residencies may vary depending on the specificity of the selected projects. If the project continues in the future, balleteatro should be referred to as a co-producer.